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Nobody's $hillbot Has Achieved Nirvana |
The player piano guy has a couple of more challenges with the Apollo than he has/had with the Grau. First, and fundamentally, the Apollo is a 3/4 plate instead of a full plate, and is probably less stable to begin with. It looks to me like he didn't restring the Grau; he will absolutely have to with the Apollo - there are too many broken strings, and they're all extremely rusty. Besides, I can't imagine there is any tightness left in the pins. Aside for that, the piano is incomplete. It looks like parts of the upper action stack are missing, and it's enough of an oddball that probably isn't a manual extant to fix it. Just sayin'... | |||
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Has Achieved Nirvana |
Who needs a manual when you have advertising?
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rachmad Never Offline |
Well he did say...
So I guess he is being realistic about the whole affair:-) | |||
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Nobody's $hillbot Has Achieved Nirvana |
[kenny mode]Nyuck Nyuck Nyuck[/kenny mode] From the Player-Care site, to my knowledge the biggest mechanical music nerd site around:
It would seem this is one of the earlier models. | |||
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rachmad Never Offline |
Apollo Expression Piano Service Manual The Apollo-Phone, a Combined Player Piano and Phonograph The Apollo Concert Grand Piano Player - DeKalb, Illinois, c. 1904. | |||
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rachmad Never Offline |
RCA Electric Piano by Story & Clark ART DECO caption reads: This beautiful ART DECO piano made by Story & Clark, called "STORYTONE" was built in 1939. It is the FIRST ELECTRONIC PIANO ever produced by RCA, exhibited at the WORLD'S FAIR RCA Pavilion, creating a sensation! RCA electrified it, making it the first ever electronic piano! Each tone has an individual electronic pick up and the sound is reproduced through the amplifier. | |||
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rachmad Never Offline |
Piano creation takes the cake The Centre at Kerikeri has taken delivery of its new Steinway D concert grand piano. To celebrate the Kerikeri National Piano Competition turning 21, competition organiser Clare Penny has commissioned this record-breaking ‘Steinway’ birthday cake. Expected to stretch to nearly 2 metres, and tip the scales at 75kg, the chocolate and almond creation will be cut by competition patron Michael Houstoun at a celebratory reception to follow the final on Sunday, July 6. | |||
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Incognito Beatification Candidate |
Found together:
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rachmad Never Offline |
Very nice, that man with the grand above, would he be the piano mover.. | |||
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rachmad Never Offline |
Weiss Klavier, Modell M120 1960 Have a look at this piano, never seen anything like it, I am guessing the method here is to get more speaking length for the strings. | |||
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Beatification Candidate |
I have a client with a Zwicki upright the same as that one. It is a 76? note keyboard, so the lowest strings take full advantage of the extra length afforded by this design. A pretty good sounding mini-piano. The main problem in tuning is the friction around the 90 degree bend as the strings get a little older. A little lubrication really helps!
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rachmad Never Offline |
If you're cold then make a hot drink; get down the Cafe Music tin and feast on some cake and biccys | |||
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rachmad Never Offline |
Here We Are - Conroy/Sanderson Lesley Sanderson and Neil Conroy take over Pitzhanger Manor-House and Gallery with a series of works exploring physical displacement, used metaphorically to suggest an anxiety about how one is positioned within specific societies. In this image the artists take the convention of the private recital, but then disrupt this with an elongated, blue, eyeless hood. The artists aimed to disturb a scene that usually elevates and preserves privilege, the respectable and the historical by an interjection that undermines those values. They also wanted to point to situations within the contemporary world where people are disempowered. | |||
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Nobody's $hillbot Has Achieved Nirvana |
Yo Brian! You haven't run out of pictures now, have you? | |||
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rachmad Never Offline |
Yes the idea here is the 'fence' that runs across the lower part of the picture - the faint segmentation suggests individual keys - how a piano keyboard looks when viewed "edge-on" from the front. It is similar in concept to the photo someone posted a while ago of glass windows on a high-rise building. The particular way the windows were viewed suggested a piano keyboard with the pattern-alone aspect of white and black keys. Also, OperaTenor, I was just hoping others would post something so I am not seen as hogging everything, which is a plausable statement. I am thinking of all the pianists and techs out there who see a zillion more pianos than I ever would know about. All I am doing is a few searches on Google. I have some more photos to come, some very startling ones. It appears very difficult to find those lovely artcase types from the industrial revolution era. The idea of 'piano' is treated in various ways by many curious-minded people exploring its significance in human history. One day I will run out, but then how big is Google? Or more importantly, how effectively can google be used to find what you want? This is a VERY major flaw of the searchengine concept and is very frustrating. Most of what I have found is by pure chance and happenstance... | |||
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