Norman Ohler, a German journalist, novelist, and filmmaker, was intrigued when a disc jockey in Berlin told him that the Third Reich was riddled with drugs and suggested that somebody should make a film about it. Ohler began to study the subject, thinking at first to write a novel, but then decided not to treat it as fiction, even though he lacked historical training. After his research in German and American archives had progressed, Ohler approached one of the leading German historians of the Nazi era, the late Hans Mommsen. Mommsen was impressed by his findings and became his unofficial supervisor.
At the core of Ohler’s book lie the fundamental paradox and shameless hypocrisy of Nazism. Its ideology demanded purity of body, blood, and mind. Adolf Hitler was portrayed as a vegetarian teetotaler who would allow nothing to corrupt him. Drugs were depicted as part of a Jewish plot to poison and weaken the nation—Jews were said to “play a supreme part” in the international drug trade—and yet nobody became more dependent on cocktails of drugs than Hitler, and no armed forces did more to enhance their troops’ performance than the Wehrmacht did by using a version of methamphetamine. Although Ohler’s book does not fundamentally change the history of the Third Reich, it is an account that makes us look at this densely studied period rather differently.
